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| University CollegesThe University of Cambridge is rich in history - its famous Colleges and University buildings attract visitors from all over the world. But the University's museums and collections also hold many treasures which give an exciting insight into some of the scholarly activities, both past and present, of the University's academics and students.
There are 31 Colleges in Cambridge. Three are for women (New Hall, Newnham and Lucy Cavendish) and two admit only graduates (Clare Hall and Darwin). The remainder house and teach all students enrolled in courses of study or research at the University. |
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Trinity Hall
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Trinity Hall is one of the smaller Cambridge Colleges, though by no means the smallest. There are about three hundred and thirty undergraduates, about two hundred and twenty graduates and around forty-five Fellows covering a range of disciplines. Nestled among Clare, Gonville and Caius and Trinity Colleges, it lies discreetly along the river Cam in the centre of Cambridge insulated against the bustle of the town. While relatively small, intimate and notoriously friendly, Trinity Hall still manages to maintain a diversity of membership which is one of its strengths. Now half way through its seventh century, the College continues to play its role in educating future leaders for every endeavour - from academia to the arts, from private industry to public service.
2 files, last one added on Jul 11, 2005 Album viewed 18 times
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Queens' College
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First founded in 1448 by Margaret of Anjou and then, unusually, again in 1465 by Elizabeth Woodville, Queens' is fiercely proud of its royal patronesses, including our most recent, Her Majesty The Queen. The history of the College, much like its architecture, is rich, complex and varied. The main College site sits astride the River Cam, the two halves joined across the river by the famous Mathematical Bridge - more correctly called The Wooden Bridge.
1 files, last one added on Jul 10, 2005 Album viewed 18 times
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125 files in 56 albums and 2 categories with 3 comments viewed 178,913 times |
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Radio Astronomy at Cambridge - Mullard Radio Astronomy Observatory
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Radio Astronomy at Cambridge
Radio astronomy is the study of celestial objects by means of the natural radio waves they emit. It tells us about the Solar System, our own Galaxy (the Milky Way), radio galaxies, quasars and cosmology. The signals emitted by radio sources can be received from the most distant parts of the Universe, though they are very weak when they reach us. Some of the problems are fundamental, like star formation, the energy sources of pulsars, quasars and radio galaxies, and the evolution of the Universe. They cannot be answered in terrestrial laboratories. Other problems are more technical like the design of highly sensitive receivers and computer software for telescope control and image analysis. These techniques are widely applicable outside astronomy. Radio astronomy is thus important both as pure research and as a training for scientists.
The Cavendish Laboratory pioneered in this field under the direction of Professor Sir Martin Ryle, F.R.S. from 1945 to 1982. The first Observatory was on the outskirts of Cambridge. In 1957, through the generosity of Mullard Ltd. and with support from the Science Research Council, the Mullard Radio Astronomy Observatory (MRAO) was built 5 miles south-west of Cambridge, at Lord's Bridge. The Observatory is operated by the Cavendish Laboratory, supported by the Particle Physics & Astronomy Research Council. The work of the MRAO was recognised by the award of the 1974 Nobel Prize for physics to Professor Ryle and Professor Hewish.
Description source: The Mullard Radio Astronomy Observatory
12 files, last one added on Jun 26, 2005 Album viewed 10 times
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Institute of Astronomy
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The Institute of Astronomy (IoA) came into being in 1972 by the amalgamation of three institutions which had developed on the site. These were the Cambridge University Observatory which was established in 1823, the Solar Physics Observatory (1912) and the Institute of Theoretical Astronomy (1967).
The IoA is a department of the University of Cambridge and is engaged in teaching and research in the fields of theoretical and observational Astronomy. A wide class of theoretical problems are studied, ranging from models of quasars and of the evolution of the universe, through theories of the formation and evolution of galaxies and stars, X-ray sources and black holes.
Much observational work centres around the use by staff of large telescopes abroad and in space to study quasars, galaxies and the chemical constitution of stars. A programme on the velocities of stars is conducted using the 36-inch telescope in Cambridge. Instrumentation development is also an important area of activity, involving charge coupled devices and detector arrays for rapid recording of very faint light and the design and construction of novel spectrographs.
The Institute comprises about 60 postdoctoral staff, 50 graduate students and 20 support staff. There are close links with the Cavendish Astrophysics Group (formerly the Mullard Radio Astronomy Observatory) as well as with the Department of Applied Mathematics and Theoretical Physics, all of which are conducting complementary research programmes here in Cambridge.
Description source: Institute of Astronomy
4 files, last one added on Jun 25, 2005 Album viewed 8 times
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Cambridge American Cemetery and War Memorial
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First established on 7 December 1943, these 30.5 acres, donated by the University of Cambridge, were selected as a permanent American Military Cemetery due not only to the scenic grandeur, but also because a large proportion of American casualties occurred in this general area of East Anglia. The cemetery was dedicated on 16 July 1956.
The base of the 72-foot flagpole in front of the Visitors' Building carries an inscription taken from John McCrae's poem - In Flanders Fields, '...To You From Failing Hands We Throw The Torch - Be Yours To Hold It High." From a point at the northern edge of the flagpole platform, one notices the headstones are aligned like the spokes of a wheel. The excellent view makes this feature the focal point of the cemetery.
From here the Great Mall, its reflecting pools bordered by polyantha roses, stretches eastward to the Memorial. The Wall of the Missing, 472 feet in length, of Portland limestone quarried in southern England, records the names and particulars of 5,125 of our Missing, who made the ultimate sacrifice for freedom, but whose remains were either never recovered or positively identified. Above the names is an extract from President Eisenhower's dedication enshrined in St. Paul's Cathedral, London. Along the Wall are four statues representing a Soldier, a Sailor, an Airman and a Coast Guard in their typical uniforms and weapons. The paving is of English York sandstone.
The Memorial, like the great Wall, is built of Portland stone. On the north face of the Memorial are five pylons each inscribed with a date recalling the five years from 1941 through 1945 in which the United States participated in the war. The main doors are of teakwood, and bear the bronze models of military equipment and naval vessels. The interior of the Memorial is divided into the large museum chamber, and the smaller devotional chapel. The map 'The Mastery of the Atlantic - The Great Assault,' was designed by the American artist Herbert Gute, from data prepared by the American Battle Monuments Commission. It indicates the principal Atlantic sea routes, the types of naval and commercial craft which assured a supply of men and materiel to the European front, the aircraft which operated in the antisubmarine campaign, and the continuous air assault by the U. S. Army Air Force and the Royal Air Force.
The map on the South wall indicates sites lent to the United States in preparation and support of military operations. The map was executed in the workshop of Mr. David Kindersley, an English artist. The wall bearing the map is of Portland stone. The land elevations are indicated in the polished Portland stone, the successively higher elevations in polished Hauteville marble, Lunel Clair and Lunel Fonce marbles, respectively. The series of seven plates below the map describe the operations while key maps record the development of the war against Germany and Japan.
The mosaic ceiling, by American artist, Francis Scott Bradford, is a memorial to those Americans who gave their lives while serving in the U.S. Army Air Force. The ghostly aircraft, accompanied by mourning angels, make their final flight toward the Glory.
Beside and above the main door, stained-glass medallions represent the seals of the War and Navy Departments, as well as the principal decorations awarded by our Armed Services. In the remaining windows stained-glass replicas of the seals of the States are arranged in vertical rows, from left to right, in the order in which they entered the Union. Above them are the seals of the United States (obverse and reverse), the District of Columbia and Puerto Rico.
The 3,812 American War Dead, represent 42 percent of those temporarily buried in England and Northern Ireland. A large portion were members of the United States Army Air Corps. The burials in the fan-shaped graves area are arranged in seven curved grave plots A-G. The headstones within the plots are aligned in seven rows of concentric arcs whose wide sweep across the green lawns may best be viewed from the Great Mall near the Memorial. Isolated tulip trees, catalpa, beech, oak and liquidambar (sweetgum) grow within the grave plots. These Dead, who gave their lives in our country's service came from every state then in the Union, the District of Columbia, Puerto Rico and the Philippines. Other headstones record the names of men who entered the United States armed forces from Canada, Chile, Denmark, England, Greece, Holland, Malta, Norway, Panama, Portugal and Scotland. Twenty-four of the headstones mark the graves of 'Unknowns', whose remains could not be positively identified. Two headstones represent burials of two and three men, respectively, whose names were known, however, their remains could not be separately identified. Bronze tablets, over these graves, record their names. While Stars of David mark the graves of those who professed the Jewish faith, Latin crosses mark all others.
Architects for the cemetery and memorial were Perry, Shaw, Hepburn and Dean, Boston, Massachusetts. The landscape architects were Olmsted Brothers, Brookline, Mass.
For additional information concerning this cemetery and memorial you may contact the Superintendent or one of his assistants on duty in the Visitors' Building.
Cambridge American Military Cemetery
Coton, Cambridge
England CB3 7PH
TEL: +44(0)1954 210350
This is a copy of the brief guide published by Cambridge Tourist Information Office.
12 files, last one added on Jun 25, 2005 Album viewed 7 times
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The Northumberland Equatorial Telescope, University Observatory, 18388450 views`The Northumberland' is the only remaining large instrument from the early days of the University Observatory, and is preserved because of its great historical interest. It was for some years one of the world's largest refracting telescopes with an accurate clock-driven equatorial mounting to follow a star in its diurnal motion across the sky.
The Duke of Northumberland, later Chancellor of the University, indicated his wish to present a large telescope to the recently founded Observatory in 1833, and was enthusiastically encouraged by the Director, G.B. Airy.
The lens was an achromatic doublet of 11.6 inches clear aperture and focal length 19ft 6in, made by Cauchoix of Paris. Airy recognised that the mounting needed to be of great rigidity and adopted the `English' form (of which the telescope is indeed one of the prototypes). The polar axis is composed of two massive triangular prisms of ingenious design, in which the components are kept in permanent tension and compression to attain the desired resistance to torsion and flexure.
The main structure was built by the engineers Ransomes of Ipswich, and the fine mechanical work by the London instrument makers Troughton and Simms. The polar axis frame and the telescope tube are of Norwegian fir. The observing chair which gives access to the eyepiece in all positions is the original. The polar axis points upwards to the North celestial pole, at an altitude equal to the latitude of the Observatory (+52degrees 13minutes). A small electric motor, now replacing the original mechanical clock, turns the polar axis once in a sidereal day. Once directed to a star the telescope tube remains in a fixed orientation in space, while the Earth turns beneath it.
A program of automation was started at the end of 2001 to provide high-precision coordinate capability.
The original Cauchoix lens is not (by present day optical standards) very good and it is now in store. The optics on the telescope are modern: a 12 inch aperture visual achromatic doublet designed by Dr R.V. Willstrop of the Institute and constructed by the local firm A.E. Optics Ltd. was installed to mark the 150th anniversary of the telescope.
The steel dome covering the telescope was made by Cooke, Troughton and Simms Ltd. of London & York in 1932 to replace the original wood structure which had become increasingly dilapidated after 96 years.
The telescope was last used in a regular Observatory research programme, for the micrometrical measurement of double stars, in the 1930s. It continues, however, to be actively used for visual observations by members of the University Astronomical Society (founded 1942) who have an Observing Guide on the CUAS website, and for Public Observing on clear Wednesday evenings in the winter months, and so continues a useful life of now over 150 years.
Description source: Institute of Astronomy
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The 36-inch Telescope971 viewsThe telescope was built in 1951-55 by the now-defunct firm of Sir Howard Grubb, Parsons & Co. at Newcastle-upon Tyne. It replaced a much older telescope of the same aperture, which was brought to Cambridge from South Kensington when the Solar Physics Observatory moved here in 1913. That telescope was returned to its owners (The Science Museum) before the new one was installed; the Director of the Observatories at the time (Professor R.O. Redman), who in his youth had made substantial use of the old telescope, always averred that it should never have left the Museum!
The 36-inch, which is thought to be the largest telescope in the country, has three possible focal stations. There is a prime focus with a focal ratio of f/4.5; the primary mirror is a paraboloid, so no corrector is needed to obtain good images on the optical axis. In practice the prime focus has been little used: the telescope is large enough to make access to the focus difficult from the side of the tube. The other possible foci are coude, with a choice of two focal ratios, f/18 and f/30. The coude arrangement is unusual inasmuch as the light beam is directed UP the polar axis rather than downwards: that permits the shorter focal ratio to be exceptionally short for a coude, and results in a focus at a level near to that of the telescope, which is somewhat convenient for a lone observer who needs to operate both the telescope and whatever auxiliary equipment is placed at the focus. On the other hand, the arrangement lacks part of the advantage of a conventional coude focus, which is often in a basement that enjoys good passive thermal stability (and, from the point of view of the observer personally, protection from wind and extremes of cold!). Until recently the f/18 focus has been the favoured option, but new equipment that for the first time utilizes the f/30 arrangement has now been brought into use. The f/30 focus is just within the dome, high up to the north of the telescope, and its use involves a further reflection. In the present application, that reflection takes place close to the focus, and the beam is turned vertically downwards by successive internal reflections within two right-angle quartz prisms cemented together. The initial image is re-imaged at a focal ratio of f/14.5 at the position required for the auxiliary equipment. A simple plano-convex quartz field lens is cemented to the exit face of the quartz-prism assembly to image the telescope aperture upon the re-imaging lens.
In the early years of its operation, the telescope was used to send starlight into a spectrometer where the light intensities in several wavelength regions. which were accurately defined by masks in the focal plane of the spectrum, could be inter-compared. The intention (only partly realized, owing to the previously unrecognized individuality of the various stars) was to obtain astrophysically significant information about the chemical abundances and atmospheric characters of the stars surveyed. Three successive spectrometers, of progressively increasing size, resolution, and sophistication, were used in that effort.
The third spectrometer was further developed, some 30 years ago, to measure the doppler shift in the stellar spectra observed with it. It did that by means of a much more elaborate mask in the focal plane: instead of having just a few windows to isolate discrete bands of wavelength that were separately measured, it had a mask containing hundreds of narrow windows placed so as to match absorption lines in stellar spectra, the light from all of them being measured together by a single photomultiplier. The position of the spectrum could be sensed, and its doppler shift thereby accurately measured, by scanning the mask in the wavelength coordinate and looking for the more or less dramatic decrease in light transmission that occurs when every window is occupied by its corresponding absorption line. The plot of transmitted light against displacement of the mask is the cross-correlation function of the mask with the star spectrum, and has a pronounced minimum at the position of register.
That instrument, the orginal 'radial-velocity spectrometer', was the first application of cross-correlation to radial-velocity (or, indeed, any other astronomical) measurement. The method has now been adopted almost to the exclusion of the previous procedure involving the measurement of the positions of individual absorption lines, and has revolutionized the radial-velocity field, allowing observations to be made with enormously greater precision and sensitivity than was possible before. A few years before the instrument was brought into operation, a compilation of all known stellar radial velocities included only about 70 stars of 7.0 magnitude or fainter whose radial velocities were supposed to be known to an accuracy of 1 km/s; more and fainter stars than that were sometimes observed to at least that accuracy on individual nights in Cambridge - a site that has not generally enjoyed much of a reputation for its excellence for observation. The original instrument remained in operation for 25 years, during which it provided most of the data for about 200 published scientific papers, and when it was de-commissioned it went straight to the Science Museum as an historic instrument. There were delays in commissioning its successor, which is however operating now and provides sensitivity, precision and convenience well beyond those of the pioneering instrument.
Additional information about the telescope and radial-velocity spectrometer is obtainable at any time from Dr. R.F. Griffin (rfg@ast.cam.ac.uk), who will also be glad to arrange informal demonstrations of the equipment both by day and at night.
Description source: Institute of Astronomy
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Nickel Creek1055 views
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The Chieftains1233 views
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Cerys Matthews1524 views
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St. Edward's Church777 viewsSt. Edward's Church Cambridge
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The Chieftains1267 views
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Trinity Hall Bridge2568 viewsConstructed 1639 - 1640
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1450 viewsApr 29, 2008
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Event as seen from the lighting tower1962 viewsAug 07, 2006
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Eddi Reader1454 viewsAug 07, 2006
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Emmylou Harris1498 viewsAug 07, 2006
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Emmylou Harris1547 viewsAug 07, 2006
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Emmylou Harris1488 viewsAug 07, 2006
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Eddi Reader1373 viewsAug 07, 2006
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Eddi Reader1298 viewsAug 07, 2006
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©2002 - 2012. The CambridgePlus guide for the city of Cambridge and the county of Cambridgeshire in England UK is provided to vistors
with honest intentions but we make no representations that information is accurate, up to date
or complete and we accept no liability for any inaccurate information or third party content.
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